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Artist Statement

My aerial photographs, taken after large-scale fires in the Tasmanian highlands, explore the profound sense of loss and the impact of fire on our sociological space. These works reflect on the altered landscapes, where towering trees that have withstood decades of harsh weather patterns meet their final destination through fire. Equally important are the fauna that once inhabited these spaces. There was a stillness present on the day of capture almost as if the landscape was conquering up the strength to rebuilt and flourish. No bird calls, just the sound of me crushing the charred remains. Engaging with a landscape scarred by heat can evoke a nostalgic feeling of immense loss, leaving a very heavy heart for those that find connection with our natural environments.

 © 2021 Jennifer Dickens

Artist Statement.

Lost at Sea is a photographic exploration of coastal waste resulting from consumption and industry. This series documents a range of plastics, from massive ghost nets to intricate toys. While the collection primarily took place in the Indian Ocean, it reflects my view that the world has only one global ocean. The interconnected nature of oceans means they lack boundaries or borders, being fluid and organic where currents displace matter. Plastic sea pollution is a global issue, not confined to any specific place or time.  

I have chosen to work with diverse visual outcomes, each symbolizing specific metaphors to highlight the juxtaposition of beauty and devastation. My impetus is to raise awareness about the pervasive nature of plastic consumption and its pollutant demise that infiltrates into our natural systems. By documenting ghost nets and plastics along the tide lines, I hope to evoke a sense of urgency and responsibility in audiences, encouraging them to reflect on their consumption habits and the broader implications their patterns of behaviour have on our planet.

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